My concept has changed since the first critique. At the first critique I was focusing on comparing my sister and my mom in my photographs. Since then, I realized that trying to compare my mom and sister will be too difficult this semester, because my mom lives in Overland Park, KS and my sister lives in Arkansas. I don't get to see them on a regular basis, so I have decided to post pone this project. What I have decided to focus on is taking two emotions that are drastically different and combining them into one image using the cubist style that I have been working with. I did my one-on-one critique with Emi Gennis today and she suggested that I create a narrative for each image and bring out the emotions that way. With this I would be showing different emotions, other than the generic emotions, like happy, sad, angry, etc. The images that I've made for this critique are there to show the general idea of what I am wanting to do with the new project. The two images below are showing blurred movement. The first is showing what the woman is feeling on the inside, that everything is in motion and constantly moving, while she can keep her composure on the outside. That goes for the second image also, on the outside everything is constantly moving, but she can see through the craziness and constant motion. The next set of images are showing emotions that are similar to being happy and tense or cynical. These are showing the idea of what I am wanting to do, and I am going to recreate them, once I create more of a narrative for them. These are also showing different ways that I can arrange the images together to get my message across about the emotions being shown. When talking to Emi, she said that the last image in this set (Face #4), portrays the contradicting emotions with a story the best. There is a sense of submission with the base image and that the woman's voice has been muted or taken away. Also, the top image that is over the mouth is making direct eye contact with the viewer, which Emi said, makes it seem as though the viewer has something to do with why the woman cannot talk. Everyone is going to connect and see the images in a different way, but as long as I create a narrative of my own, there will be more to the images than just pairing two contradicting emotions together. This is what I am hoping to work on for the next critique. These last two images don't have anything to do with the my main project above. They are some images that I have been working on, on the side. The first photo is of the back side of a flower with a hand merged into it and the second image is of two hands combined together showing movement. When talking to Emi about these two photos, she stated that they don't tell a story or have any meaning to them, which I completely agree with. She gave me some ideas on how to change this. I could take the organic shapes that the hands create and make it into a geometric shape. She brought up the idea of combining the images to make something that is contradicting to them, which would be similar to my project above. Artist Post - Hannah CowardI really like what Hannah is working on for this semester. I find the connection between pharmaceutical and herbal remedies very interesting. I think that there is a lot that can be researched and created with this project and I can't wait to see what all she creates this semester. I think that it would be interesting if she made a prescription bottle out of the hand made paper. I think that it would tie the two different medical practices together.
Here is a link to her blog: https://hannahcoward.wordpress.com/art-650-01-critique-iii/
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